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Est. 1979
  Black Buzzard Press
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WHY THE DWARF HAD TO BE SHOT
Selected Poems by Sasha Skenderija

Translated from Bosnian by Wayles Browne and others
(Foreword by K. E. Bättig von Wittelsbach; Afterword by Wayles Browne)

Why the Dwarf had to be Shot: Selected Poems by Sasha Skenderija Paperback: 96 pages
Publisher: Black Buzzard Press (November, 2008)
Language: English
ISBN-13: 9780938872399 (978-0-9388-7239-9)
ISBN-10: 0938872397 (0-938872-39-7)
Dimensions: 9 x 6 x 0.3 inches
Shipping Weight: 0.6 pounds
Price: $15.95
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Although he never met the Palestinian-American Edward Said, Bosnian poet Sasha Skenderija shares Said's experience of exile and loss of home due to the redrawing of ethnic and religious boundaries in the country of his birth. For both of these exiles, literature became true home, and a final place of freedom and discovery. Like Said, who was born in the British Mandate of Palestine, now part of Israel, Skenderija comes from a country that no longer exists - Yugoslavia.

The poetry of Skenderija shares many themes with the works of the new generation of Bosnian writers, all living in North America (Aleksandar Hemon, Semezdin Mehmedinović, and Goran Simić): survival of the individual and the community through daily experiences of death and destruction in the besieged city; struggle to maintain human bonds and intimacies amidst the brutality, violence and loss of life; burdens and discoveries of survival, and the feeling of disconnectedness in a life lived in exile; displacement, memory and glimpses of a different, fractured and perhaps newly constituted self; echoes of a new identity in a new, unfamiliar place of being, and - perhaps even more importantly for a poet - in a new language (or in Sasha Skenderija's case, in new languages: Czech and English).

Most of the translations in this volume are the result of a fifteen-year long collaboration between Wayles Browne, professor of Slavic linguistics at Cornell University, and Sasha Skenderija. The poems gathered here range from those Skenderija composed in Sarajevo and Prague in the early and mid-1990s, to the works from his Ithaca period (from 1999 to the present day). The collection replicates the content and the ordering, as well as the title, of Skenderija's volume of selected poems in Bosnian, Zašto je patuljak morao biti ustrijeljen (Tešanj, Bosnia: Centar za kulturu i obrazovanje, 2005). The translations, remarkably attentive both to the sound and the imagery of the original, make some of the best contemporary Bosnian poetry of the adoptive Ithacan Sasha Skenderija available to readers of English everywhere.

REAL TOADS
Poems by Elisavietta Ritchie

Cover Illustration by Donald Shomette

REAL TOADS - Poems by Elisavietta Ritchie


Chapbook: 27 pages
Publisher: Black Buzzard Press (2008)
Language: English
ISBN: 0938872370 (0-938872-37-0)
Dimensions: 8.5 x 5.2 x 0.15 inches
Shipping Weight: 0.2 pounds
Price: $5.95
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This special collection by a leading poet and educator is an amusing and educational guide to writing done as a series of twenty-one delightful poems, as in this insightful piece. (More poems...)

JOURNEY TO THE SOUTH
Poems of Djura Papharhaji

Translated from Rusyn by Slavomir Olejar
with Julijan Ramach, Elaine Rusinko, and Bradley Strahan

The only English translation of the poems of greatest modern Rusyn (Ruthenian) writer. "These are poems that can break your heart, make you smile, and teach you how much we lose neglecting work from any language."

Read the title poem.

Paperback: 85 pages
Publisher: Black Buzzard Press (2006)
Language: English
ISBN: 0938872311 (0-938872-31-1)
Dimensions: 9 x 6 x 0.25 inches
Shipping Weight: 0.5 pounds
Price: $15.95
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TRUTH & LIES
Poems by Lori Powell

Illustrations by Cathie France Nelson

Truth & Lies - Poems by Lori Powell


Chapbook: 26 pages
Publisher: Black Buzzard Press (2000)
Language: English
ISBN: 0938872273 (0-938872-27-3)
Dimensions: 8.5 x 5.2 x 0.15 inches
Shipping Weight: 0.2 pounds
Price: $5.95
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Some of the most perceptive comments on a work of art often come from an outside observer. After reading a copy of this book the chairperson of the English language department at a leading European university commented in an amazed tone, "This is a post modern Emily Dickinson!"

A sample from this unique chapbook (the only volume by this somewhat reclusive poet) reinforces this comment.

(Violeta Hristovska)


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